POETICS OF ENCRYPTION

An extensive group exhibition at KW builds upon the recent book by Nadim Samman titled Poetics of Encryption: Art and the Technocene. It surveys an imaginative landscape marked by Black Sites, Black Boxes, and Black Holes—terms that indicate how technical systems capture users, how they work in stealth, and how they distort cultural space-time.

Though we rely on digital tools for many things, we rarely understand how they work. Moreover, due to the proprietary nature of much corporate tech, even the most curious among us cannot gain deeper insight. Today, we are forced to come to terms with our relative lack of power in the face of inscrutable systems. What symptoms of this personal and political drama register in the cultural field? What moods, symbols, or narrative frames capture the aesthetics and politics of exclusion, occlusion, secrecy, and speculation concerning technology’s inside?

Curator: Nadim Samman
Assistant Curator: Linda Franken
Curatorial Assistant: Lara Scherrieble

Partner in charge:
Jürgen Mayer H.

Team:
Mehrdad Mashaie
Leander von Meding

The exhibition architecture was made in collaboration with KW Institute for Contemporary Art, Berlin

Featuring artists: Nora Al-Badri, Morehshin Allahyari, American Artist, Emmanuel Van der Auwera, Gillian Brett, Émilie Brout & Maxime Marion, Juliana Cerqueira Leite, Julian Charrière, Joshua Citarella, Clusterduck, Juan Covelli, Kate Crawford & Vladan Joler, Sterling Crispin, Simon Denny, enorê, Roger Hiorns, Tilman Hornig, Rindon Johnson, Daniel Keller, Andrea Khôra, Jonna Kina, Oliver Laric, Eva & Franco Mattes, Jürgen Mayer H., Most Dismal Swamp, Carsten Nicolai, Simone C. Niquille, Trevor Paglen, Matthias Planitzer, Jon Rafman, Rachel Rossin, Sebastian Schmieg, Charles Stankievech, Troika, UBERMORGEN, Nico Vascellari, Zheng Mahler, among others

Photographer:
Frank Sperling

HABIT, HABITAT, HABITATION

Research Design Studio

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